The Punisher #218: Frank Castle with War Machine Armor, Oh Yeah

With The Punisher’s entry into Marvel Legacy the hook is Frank Castle now has War Machine armor. After seeing the preview covers, we get to see how The Punisher gets the armor. Now the responses to this have either been excitement or extreme unhappiness. It’s The Punisher and opinions about him are all over the map. Frank Castle is a polarizing figure at the best of times. Every writer has a different take on him with mixed to critically acclaimed results. There’s no ambiguity about Frank Castle, he is who he is and he believes what he believes. Now we all get to find out what direction this series goes in with a new creative team. Let’s see how this goes down as I dive into The Punisher #218.

Weirdly enough I had a feeling I’d want to say something on The Punisher as I saw him in the armor. The concept fascinates me.

The Punisher #218 Marvel Legacy Comics

I appreciate how Matthew Rosenberg started off the issue. It blurs the lines between a serious Frank Castle and a more humorous take on the character. Rosenberg is going for a Frank that conveys every aspect of The Punisher in one way or the other. He picks a bit of each column in the life of Frank Castle and goes from there. You get your over the top mega violence mixed in with Nick Fury explaining why Frank is the way he is to the reader. Balance with this character is not easy to find at all and this issue tries hard to find it and it succeeds. I admittedly have some Punisher blind spots but this I feel strikes a nice balance tone wise.

I also want to mention this as we go further into The Punisher #218, it is totally new reader friendly. Jump right on in and you will be fine.

There’s not much I don’t like here and because of the fact that it is fun. Rosenberg slows it down just enough to set up War Machine and then back to the business at hand. What’s cool is Rosenberg is making a point to say, this is Frank in the War Machine armor, but he’s not War Machine. The back matter that Rosenberg writes makes it clear that Frank is wearing the armor, but War Machine will always be James Rhodes. I will be curious what this story will end up leading to as Frank is now at another level wearing the War Machine armor. Whatever happens though, the stakes are higher than ever and Rosenberg is showing that it’s going to get crazier from here.

We’re going to get look at more of the story of Punisher #218 we get into the art as there are a lot of cool moments here.

The Punisher #218 Marvel Legacy Nick Fury and Frank Castle

Special note: I really would love to try this egg drop soup as I am a fan of a good egg drop soup.

There’s one piece in particular that I want to focus on for starters, the Nick Fury and Frank Castle chat. Guiu Vilanova captured Rosenberg’s words beautifully with the Fury and Castle chat. Every second of that conversation flowed well and felt as dynamic as any action scene. I particularly love the expressions on Fury’s face as it makes sense that he would be more expressive than Castle. Then as the camera so to speak was moving around making the place seem less static and adding energy to the chat. It also helps that Lee Loughridge’s coloring illuminated the piece, the shadows and light gave it such a cool atmosphere. An enlightening chat with excellent execution.

As for the rest of the stuff, this comic looks good without a doubt. As noted from the Fury and Castle chat, the action scenes give another of detail to the wonderful glory that is Frank Castle. Rosenberg’s script shows that in action, that is when The Punisher comes to life. Vilanova’s art captures the action here in brutal and gleeful detail. Especially in the expressions, the only time to really see Frank smile is when he’s in his element, which is when he’s in the midst of battle. It’s interesting to me how that’s handled. Now I also want to mention Cory Petit’s lettering as it really works for this script. The big and loud letters work to the explosive art and colors here. Beautiful work all around.

The Punisher #218 Marvel Legacy Box Smash

If you’re in the midst of binge watching The Punisher on Netflix, I highly recommend grabbing #218 as part of your adventure.

Now this is only the start of what Rosenberg and his team has in store for The Punisher. We know why Frank has the War Machine armor and what he’s going to be up to with it, now we see what happens from here. This issue was a lot of fun but I get the feeling the stakes are going to get higher from here. I like what I see and I can’t wait for what happens next. Good work all around from this new team. I am excited for what’s to come with this series.

 

 

 

 

Captain America #695: Getting Back to Basics in Marvel Legacy

How do you go forward with Captain America in the aftermath of Secret Empire? Well Marvel did it in the best way they could and for the most part it worked. Not saying as much about the event itself, that’s a story for another day, but it did work. Now we get to see Steve Rogers as Captain America re-establishing himself once more. Our Steve Rogers took out Hydra Cap and now he is taking it to the road. Mark Waid was the man who revitalized Captain America back in the 90’s and once more for Heroes Return, now he is back at it again for Legacy. Even going as far as to get Chris Samnee who is perfect for creating that old school vibe. Will lightning strike three times? Let’s find out on this wonderful little journey as I dive into Captain America #695.

It’s Bold, it’s Bright, it’s Colorful, and it’s excitement personified in Captain America #695.

Captain America #695 Cover Marvel Comics

Let’s begin our little adventure here simply, this is good. Captain America #695 is a good comic. I did not envy Mark Waid and Chris Samnee coming onto this series but my goodness were they up to the task at hand. You can see the name of the game was take Captain America back to basics and it works. It’s optimistic in the midst of everything that happened and is going on and you can’t help but smile at Captain America punching Nazis. Okay they’re a group called Rampart and they don’t openly say Nazis but dude, they’re Nazis, Captain America is punching Nazis, that’s awesome. You can’t help but dig that scene.

What’s also cool is the surroundings of the story, Captain America, Nebraska. They have a massive festival every year and you get a glimpse into how many people like the guy. You get classic Captain America fighting the bad guys, showing how good a person he is, and also showing that as Steve Rogers, he’s just a normal guy figuring things out. At his core Steve as Captain America is a hero of the people, so Waid emphasizes that a lot in this story which is wonderful. Waid reminds us that Captain America is someone that can rally the people at his core and that’s what Waid does in this first issue. It all clicks but what about the art? Oh the art deserves a focus of its own.

Captain America #695 Action Sequence

Chris Samnee and the art team on Captain America #695 went above and beyond the call of duty for this one.

Chris Samnee’s art is fluid, fast, crisp, and gorgeously clean. It’s the perfect fit for what Waid is up to with this story. Waid’s story reflects every bit of Captain America you could imagine and in turn Samnee’s art reflects it, heroic Cap, immensely likable Steve Rogers, and inspirational Cap, a lot of these pages could be posters as they are that iconic. It’s also nice to see Steve Rogers being the most Steve Rogers he can be. When he’s a little overwhelmed by a whole day dedicated to him, you can see in the art just how he feels. Samnee draws such a classic Cap that you can’t help but smile ear to ear. Waid hit the artist jackpot with Chris Samnee. Yet another feature for this comic is the coloring, my goodness gracious the coloring.

Matthew Wilson’s colors on this story are eye popping beauty. Outside of any scenes with fire or say intense action, these colors pop off the page. For everyone who’s been wanting a story where everything is clicking on all cylinders, congratulations this is it. The optimism within this comic is unreal. You get bright colors, exciting art, and Joe Caramagna’s letters have an old school, pop off the page energy to them as well. Truthfully, I think I’m as surprised as anyone as to how much this all came together so swimmingly. Great art all around to match Waid’s script the oozes with joy and a genuine love for our humble hero.

Happiness and Optimism rule the day in Captain America #695 and that my friends is a good thing.

Simply put, go buy this comic. If you’re a lapsed fan and want to give our hero another shot, this is it. Waid, Samnee and the rest of the team bring life back to this character and a sense of fun long missed in this series. Try it and see what you think, it may take time for some but for me, I’m a happy camper right now.

Cable #150: Marvel Legacy’s Nod to The 90’s with Newer Mutants

Take note of my title for Cable #150 here, the nod to the 90’s is not meant as an insult at all. As I was reading this one I was pondering how to explain my thoughts on this issue and 90’s aesthetic fits here. It’s a brand new creative team for Marvel Legacy and I haven’t read anything of the new Cable series yet. In this situation I am the perfect reader for this as I have no connection to this series. I like Ed Brisson’s writing and Jon Malin‘s art but outside of that I have no real expectations. I’ve been on a touch of an X-Men kick lately and I have plans for Mojo Worldwide later on here. Time to take an adventure into the world of Cable and see if this Marvel Legacy ride is rewarding for me. Let us venture onwards and begin this amazing journey.

I will admit this though with the character, I do have a fondness for Cable so I’ll own that at least.

Cable #150 Marvel Legacy

Now this is where I get to explain the title of this piece more. One thing I noticed with Ed Brisson’s writing is he’s channeling 90’s Cable hard, this is good. He’s using 90’s Cable influence and using it to his full advantage. I think it’s also in Jon Malin’s art as Malin’s style has a flair for 90’s action packed goodness. Malin has a dynamic, stylized, and overall fun art style that fits Cable like a glove. Considering how the issue goes down it makes sense that Malin is on this series. The title of the storyline is “The Newer Mutants” and part of this issue is Cable getting a team together. Now it involves a concept not used in a while, The Externals. Another 90’s concept, at least that I remember, and it fits well here.

Now as for the team I mentioned earlier, so far it’s Doop, Shatterstar, and Longshot, and I call those great choices for this team. It seems like there is more to come from the cover but I like how each character plays into this. If you are wondering how this reads for someone who’s out of the Cable loop, it’s better than you’d think. Ed Brisson got a blank slate to work with since the story takes place thirteen years ago. There is a good enough of an explanation here but I really wish I knew more as to why Cable is hopping about through time. Brisson mentions time anomalies but I’m not given much else to work with. It’s still fun but yeah, I wish I understood more of the actual story here.

Cable has a weird flow to it as even I missed in my initial read through the 13 years ago at the start of the comic.

Yes Cable #150 is fun, yet there are issues, a lot of issues as to how the story flows. Yet I do like Doop the Street Phoenix and Doop in a cool car is pretty nifty. Malin’s work with Doop’s expressions and also action scenes are top notch, I do like those a lot. Especially the final pages that really let Malin cut loose, say this for Brisson, he crafts a solid action comic. Jesus Aburtov’s coloring looks great though and really does let Malin’s artwork shine and it pops off the page well. It’s a story that’s fun and has a lot going for it but the construction is a little strange. Welcome to life with Cable #150 my friends, fun but a little messy.

Yeah I can say this easily with Cable #150, it’s messy but it is at least fun.

Not everyone is going to groove on Cable #150 but I think I’m willing to give this another issue to see how it goes. I can easily say I had fun and I like the ending so it has potential, I’m game for another issue. I would say, try it and see what you think. Your mileage may vary with this one. Give it a shot and see how it goes over with you. As for me, I’ll check back in with this next issue and see if the fun outweighs the messy. Hopefully things balance out for this series and we’ll see what happens in the months to come.

I’m adding another special note here, I am still wary as I think on this more. Yet I had fun so, we shall see what next month holds.