Doom Patrol is the start of the Young Animal Imprint at DC Comics. Gerard Way unleashes his distinctive vision for Young Animal within the pages of Doom Patrol. Way’s writing on Doom Patrol gives you an idea of what to expect out of Young Animal. If this is what Young Animal has in store for us, this line of comics will be amazing. I’m part of the crowd with Doom Patrol, I like this comic. The tagline for Young Animal is “Comics for Dangerous Humans”, this fits in a good way here. In every review and opinion I’ve read, all across social media, everyone likes this comic. Here’s where this gets fun, why is it so loved? I’m going to give you my personal reasons why I like this comic as much as I do. To the land of the weird and wonderful with Doom Patrol #1!
Enter the Gyro, You never know what you will find.
As the comic explores about a thousand different concepts in one issue, this is surprisingly friendly to a new reader. Gerard Way sets up the concept as if you know next to nothing about the team you’ll be fine. Now if you know a little to a lot about Doom Patrol then it becomes that much richer for you. Way’s Doom Patrol can be appreciated on any level. My level of Doom Patrol knowledge is moderate but I am weak in my knowledge of Morrison’s run on the series which seems to be a heavy influence here. If you haven’t read any of Morrison’s Doom Patrol, you’ll still be fine. Ideas come at you in many ways here and this is a blast to read no matter what.
You can say that Doom Patrol is Weird but a Good Kind of Weird.
Note the heading, yes this is weird but I am so glad it exists. Casey Brinkle helps in being your guide to the madness around her. No matter what kind of weirdness and craziness comes at you, Way lets Casey be your guide to Doom Patrol. People start exploding, no problem, Casey centers the comic. Gyros being their own worlds, no problem, Casey gives you a way to process this in your mind. Sometimes there are comics out there that throw weird out there just to be weird, this is weird with purpose. Casey is the viewpoint for the new readers while the old readers wonder how she fits in. Casey Brinkle works on both levels and Way makes it seem effortless but the thought behind her shows.
From what I can tell, the Doom Patrol is forming around Casey and she’s become a magnet for weird in the process. In the meantime, while the Doom Patrol is coming back to the scene, there’s something behind the scenes perking up. A strange new food sensation is starting up that is going to factor in amazing and odd ways it seems. The people behind this new food sensation are a nightmare fuel corporate group, while still being slick and shiny. I got a NextWave vibe off of them as to how they acted mixed in with a lot of horrifying corporate focus group shows. Even better that this group is discussing the food in a run of the mill hotel, perfection.
Seriously, Absolute Perfection.
There’s so much to this one issue of Doom Patrol and yet it is still easy to piece it together. Robot Man appears and then has something bonkers happen from the start, which adds another element to the story. I am intrigued by Terry None, that intro was the most off the wall thing but Casey’s reaction to Terry made it priceless. Even more curious as what Robot Man was up to before certain events happened to him. Way even addresses Niles Caulder, the founder of the Doom Patrol, in a random one pager, and it all makes sense. There’s so much meat to this comic and so much going on that I can’t imagine what will happen next.
Where’s the Kaboom? Well right on the image below you can see the kaboom.
I haven’t even touched the art on this yet, which is amazing in itself!
Attempting a story such as this requires an art team up to making this vision work. Nick Derrington, Tamra Bonvillain, and Todd Klein are beyond up to the task. Derrington’s art on this is without a doubt phenomenal. The art here captures so much in the emotions of the characters and making this wonderland of madness seem tactile. Way’s story blends the weird and wonderful together swimmingly with Derrington being the one to bring and enhance the world of the Doom Patrol and Derrington does that with perfection.
The Expression on the Cat alone makes it all the more special.
Derrington’s art is only part of what makes Gerard Way’s Doom Patrol great, it’s also the coloring that makes the comic shine. Tamra Bonvillain’s coloring is a masterwork. Bonvillain’s coloring on the Robot Man scenes in the Gyro world are impressive. That painted look to those pages that Derrington drew gives it a unique style all on its own. That’s not to say that the rest of the coloring here isn’t impressive, it’s pure beauty that can’t help but make anyone smile. A bright palette for a strange and sparkly world.
You also can’t help but get a kick out of this page showing the brilliance of all involved with this.
Todd Klein’s lettering on this is as amazing as anything else he’s ever done. He’s a legend in the comics industry and Klein makes this book sing through his letters. Unique stylings with an unleashed brilliance to match with Way’s off the wall storytelling. It’s quirky, fun, and engaging lettering, making the lettering as much a part of the art process as anything else. It’s delightful and some of the coolest stuff I have seen in awhile.
Young Animal is going to be a brilliant imprint.
Simply put, buy this comic. If you somehow have managed to miss this book then correct that mistake and read it. We could use more of this madness in comics. A great start for the Young Animal imprint and I’m excited for what’s to come for this series and with the imprint itself.